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Since Bob Dylan broke onto the folk-rock scene, Minneapolis clubs have nurtured some of the world's most respected artists and a burgeoning nightlife scene. The best-known—and most influential spots for live music include:
Immortalized by Prince in the movie Purple Rain, this now-iconic club has a storied history. In addition to launching "His Royal Purpleness," First Avenue served as the hub of the Minneapolis punk scene. Hüsker Dü, Soul Asylum and the Replacements regularly packed the house.
Today, the club continues to be a favorite tour stop for national acts from alternative to folk-rock to hip-hop.
Minneapolis boasts one of the most active jazz scenes in the country, and the legendary Dakota Restaurant & Jazz Club is one of best-loved venues for musicians and aficionados alike. Imagine Ella Fitzgerald, Sarah Vaughn and Mccoy Tyner performing no more than 30 feet from your table.
The club's new digs along restaurant row on Nicollet Mall retain this intimate feeling, and the Dakota continues to draw jazz superstars and the brightest newcomers to Minneapolis.
Learn some little-known facts about Minneapolis-Saint Paul's nightlife scene. Then, lead the way to the hippest hot spots.
A gorgeous bar and traditional Irish music will have you raising a glass and tapping your feet at this popular downtown spot.
Minneapolis-Saint Paul has the fourth most active jazz scene in the country.
Dinner and a Show
On Dakota Jazz Club & Restaurant: "Swanky riffs and delicious dishes at this top local jazz spot have foiled many a 'working' meal." NWA WorldTraveler, 2007 Read more
All That Sparkles...
"Okay, Twin Cities. It's time to drop the lingering sense of inferiority-the suspicion that you can't compete with the big boys. You are a cosmopolitan gem." Kiplinger's Personal Finance, 2006 Read more
Industry Leader
"The Twin Cities also has a national reputation for turning out some of the most forward-thinking alternative music in the nation, as well as having the visionary leadership in symphonic, operatic and chamber music..." MARQ, 2006 Read more
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